development programs / CATAPULT.body

precipitate / creation lab

 
 

Dance Base (Scotland) and Yaraqa (Lebanon) launched an open call for PRECIPITATE: a bespoke creation Lab that connects dance artists from Scotland and Lebanon in a series of online and in-person encounters. The aim of this Lab is to facilitate opportunities for dance artists in Lebanon and Scotland to create, collaborate, and exchange. All this takes place between July and November 2022, and the Lab culminates into an in-person portion that will take place in Edinburgh - Scotland between October 3rd - 14th, 2022.

Supported through the British Council International Collaboration Fund, PRECIPITATE is the second round of initiative following the micro-forum*, as part of CATAPULT.body - a partnership pilot program between Yaraqa and British Council Lebanon for professionals in the field of dance and movement looking to identify and access opportunities for support, growth and development.


THE CONTEXT

The dance and movement sectors in Lebanon and Scotland have their differences and similarities: Lebanon faces an unprecedented economic collapse and shifts in the political landscape while Scotland faces socio-economic impacts resulting from Brexit and growing pressures on sustainable careers in the arts. These changes - uncertain and unpredictable - directly affect artists and their work by creating precarity around self-producing models and short term opportunities. In this specific context, both Yaraqa and Dance Base share a sense of duty to address sustainability in direct conversation with artists, by providing the time, space and people to strengthen their ecosystems to favour, reinforce & focus on long term creative processes and their outcomes now and in times of uncertainty. 


STAGE 1: Candidate’s selection process and announcement

After launching PRECIPITATE on June 18th via our social media platforms, many candidates from both Lebanon and the UK showed great interest in our program, and consequently 37 successfully submitted their applications. Since places were limited, the number of candidates was narrowed down to 6 final participants: 3 from Lebanon and 3 from Scotland.
The selection process was carried out by a committee of panelists including Tony Thrills (Dance Base - Scotland), Romy Assouad & Jadd Tank (Yaraqa - Lebanon), and independent artist Emma Jayne Park (Scotland). This was challenging for us as we reviewed incredible talent from diverse backgrounds and skills while taking into account:

  • The nature of the information provided in the application form; how they responded to every question in the application form and how that conveys their interest and need to participate in the program.

  • The perceived impact this opportunity will have on the artist at this particular stage of their career.

  • The range of interests and backgrounds that will create a diverse group of artists.

  • The diversity of voices represented through Dance Base’s opportunities for professional artists.

Here’s the final list of candidates:

Natasha Karam / Lebanon

Natasha Karam is a multidisciplinary creative practitioner based in Lebanon. She dances between movement, images, words, and sounds as a medium to question herself and her environment. Her focus mostly falls on the intersection between the human and natural world and the beauty existing in everyday life […]

Bassam Abou Diab / Lebanon

Bassam Abou Diab is a Lebanese actor, dancer and choreographer, focusing on contemporary dance and folklore. He’s been dancing with Maqamat Dance Company for several years where he worked on four creations: “Mushrooms and Fig Leaves”, “Hibr”, “That Part of Heaven” and “Watadour[...]

Sarah Fadel / Lebanon

Sarah Fadel received her MFA in Choreography (with Merit) from the University of Roehampton – London, UK (2017). During her studies, she choreographed and collaborated with other artists on many pieces including “...Not Really.” (In a collaboration with the writer Lloyd Slinger), and “THAWRATH” in collaboration with composer […]

Jian Yi / Scotland

Jian Yi is a multidisciplinary performance artist working across live art, experimental theatre, and contemporary dance. Jian Yi’s work has been performed and exhibited in major institutions such as Dance Base Edinburgh, Tramway […]

Liz Strange / Scotland

Liz Strange is an Edinburgh-based actor who specializes in visually driven theatre that is devised, interactive and subversive. She has worked extensively in physical theatre with companies such as Company Of Wolves, Mischief La-Bas, Al Seed Productions, Tatraum Projekte Schmidt, Hearts & Minds, Plutôt la Vie and Surge […]

Kathryn Spence / Scotland

Kathryn is a dance artist and choreographer based in the Shetland Islands. Their choreography work is often inspired by the environment, and their community-based work is inspired by people. They studied Postgraduate Diploma Community Dance at Laban, London […]


STAGE 2: Introduction meeting

Shortly after selecting our final participants, a remote introduction meeting was hosted via Zoom on July 18th. This meeting included the participants, team members of Yaraqa, DanceBase, and British Council, and our facilitator Emma Jayne Park.

In this first encounter, we introduced participants to the flow of the program and allowed everyone to get familiar with one another. Participants shared the reasons why they applied, what their access riders and interests are, what they’re thinking of working on throughout the Lab, and what they’re expecting out of this program.


STAGE 3: The 1:1 & pairing

One-on-one consultations took place between July 19th and 25th and allowed us to further develop the overall program and the mentorship program based on the artists’ needs. These consultations also helped us pair up the artists: each pair would consist of one participant from Lebanon and one from Scotland. These meetings helped us better understand the duo’s needs, desires, hopes for and from PRECIPITATE and so we paired them up based on their interests, approaches or end-goals. Their mission: to support each other, hold each other accountable and create impactful work together. Here are the 3 pairs:

  • Jian Yi & Natasha Karam

  • Sarah Fadel & Liz Strange

  • Kathryn Spence & Bassam Abou Diab


STAGE 4: Studio work, research and mentorship

This stage was set so that pairs could continue with their research linked to their theme, and begin to implement any movement/dance/ideas into practice. The participants were provided with studio spaces both in Lebanon and Scotland to complete their self-directed creation/experimentation/research in pairs. This phase was complemented with mentorship sessions, featuring:

Lou Platt / mentor for Sarah & Liz

Lou is the founder and director of The Artist Wellbeing Company. In 2012, she began supporting the mental health of those working in creative industries when a local theatre company asked her for support […]

Farah Saleh / mentor for Bassam & Kathryn

Farah Saleh is a Palestinian dancer and choreographer based in Scotland. She has studied linguistic and cultural mediation in Italy and in parallel continued her studies in contemporary dance […]

Lucy Suggate / mentor for Natasha & Jian

Lucy Suggate is a dance artist and choreographer based in the UK. Making working since 2003 she is recognised for her articulate and engaging solo performances as well as choreographic installations and public scores inspired by aspects of synchronicity and cooperation. Her movement practice is an ongoing inquiry […]


STAGE 5: Online workshops

Throughout September, all 6 participants had weekly workshops with industry experts coming from various backgrounds, around subjects pertaining to their interests, and tools for sustainable practice.

Workshop 1 - Isolation, Communication, and Ecosystems - with Emma Jayne Park


A workshop exploring how artists can understand the ecosystem around them, identify roles in that ecosystem and position themselves in it, informed by the choices they make about their work and what is needed for them to have a sustainable career.

Emma has been called a dancer, theatre-maker, collaborator, facilitator, trainee intimacy co-ordinator, advocate, activist and occasional drag king. They are not fussed about titles, instead they focus on interrupting conventional expectations of bodies in motion and using bodily intelligence as a tool for closing the gap between ideologies and everyday actions.

Emma is also our PRECIPITATE Facilitator.

links: instagram

Workshop 2 - Legitimacy & Creative Power - with Théa L. Khoury

A workshop exploring how understanding and foregrounding the resources you have can support you to create the tools you need to move forward in your work, including exercises in embodying your own power and owning your choices.

Théa L. Khoury is a Human Rights advocate and nonprofit professional with 8+ years of experience working with diverse groups across the MENA region. Her experience is centered around grant-making system development and implementation, MEAL systems, and Organizational Development.

links: instagram

Workshop 3 - Creating and planning in a chaotic world - with by Kim Simpson

A workshop exploring how long-term sustainability can be built through intentionally building adaptable systems. This workshop focuses on the resources that are available, even in crisis, and how artists can be responsive without burning themselves out.

Before joining greenspace scotland, Kim Simpson was an independent producer, curator, consultant, facilitator and coach working with people, organisations, institutions and networks. Kim worked on strategic, facilitation, consultancy and research projects.

links: instagram I website

Workshop 4 - Finding Value and Adding Value - with Ghassan Salameh

A workshop exploring methods of identifying additional materials that can be created through a dance process, reflecting the process and the artists' values as opposed to generating add-ons which feel on-trend. Key questions include: Are you being creative in a structure or creative with the structure? What else does your work generate that supports the values you are working with and work you are creating? How do these ‘by-products’ support your work to be sustainable?

Ghassan Salameh is a curator and cultural producer in the fields of arts, design, architecture and urban planning. His curatorial vision is driven from his activist work with local independent and grassroots civic groups and anti-gentrification movements.

links: instagram


STAGE 5: Residency in Scotland

After a month of working online, artists and teams from Dancebase and Yaraqa got the chance to finally work together in person while being hosted at Dance Base. There were professional and cultural exchanges, further research and studio work, meeting local professionals, doing site visits, discovering the wider context of the arts in Scotland, and of course, food.

Artists, along with Yaraqa and Dance Base team, had a lot of time to bond and explore Scotland outside of studio hours. Communal breakfasts, lunches and dinners were organised in order for everyone to get to know each other in the flesh.

Some of the group made a journey to Platform in the East End of Glasgow for a tour of The Bridge, a centre for art and community. They then saw two shows - ‘Unbecoming’ by Company of Wolves and ‘The Time Machine: A Radical Feminist Re-telling’ by Jordan & Skinner (movement direction by Emma Jayne Park, our facilitator).

In the second week of the residency, most of the group traveled to Dundee and spent the day with Scottish Dance Theatre (SDT) at Dundee Rep, while others joined via zoom for some of the day. They also took a class with dancer Tom Goodwin and met Joan Clevillé, who gave a presentation about SDT and its history.

The team also went to see a show by SDT called ‘Ray’ at the University of Dundee, choreographed by Meytal Blanaru.

After 10+ days of in-person research, mentoring and hands-on work by the artists, each pair had the opportunity to share their research and process with audiences from the field and beyond, which allowed each artist to receive further insight into the work they’ve created. The event was streamed online and live through our partner, Basita.


STAGE 6: Evaluation & next steps

Post residency, we had a follow up internal evaluation meeting with the participants of Precipitate. In addition, we looking into an extension to allow us & the artists to continue the work of Precipitate next year. We are also looking into further partnerships with Lebanese and Scottish entities interested in this work.


PARTNERS


About CATAPULT.body

Supported through the British Council International Collaboration Fund, PRECIPITATE is the second round of initiative following the micro-forum*, as part of CATAPULT.body - a partnership pilot program between Yaraqa and British Council Lebanon for professionals in the field of dance and movement looking to identify and access opportunities for support, growth and development.

CATAPULT is a pilot initiative launched by British Council Lebanon’s Arts and Culture department. It is conceived as a talent development program in partnership with pre-existing hubs in different creative sectors. It aims to support creative talents from Lebanon while building strong connections with the UK, focusing on creative expression, exchange, and enterprise. The initiative involves recognizing potential in each of the sectors and developing programs that respond to the needs and ambitions of artists. CATAPULT is about upskilling, opportunity, and thriving.

About Dance Base

As Scotland’s National Centre for Dance the organisation exists to get the whole of Scotland to experience dance and to build national and international success for dance artists based here. It has an open and accessible public programme of classes that attracts people of all ages and abilities. It has a professional programme providing mentoring, facilities and creative guidance to dance artists across Scotland, along with performance and partnership opportunities during the Edinburgh Festivals. It also promotes dance for health and wellbeing through its engagement projects, bringing together dance artists, charities, community organisations and funders to use dance effectively to deliver health and social outcomes. Dance Base is committed to developing audiences for dance and celebrating the success of the dance sector in Scotland.